This collection of short films represents a hint of the tectonic shift in the underground film world in connection with the punk rock “movement.” Restored from original negatives, it showcases the reasonably well-known alongside the extremely rare, from music shorts to impressionistic documentary.

This collection of short films represents a hint of the tectonic shift in the underground film world in connection with the punk rock “movement.” Restored from original negatives, it showcases the reasonably well-known alongside the extremely rare, from music shorts to impressionistic documentary.

1976年，是国家和政党面临极大挑战的一年。最高领导层接连离世，国家权力的中心陷入真空，“四人帮”开始展开一系列权力斗争与篡夺。长达十年的社会动荡，导致政治压制、经济衰退、社会混乱。在这一充满危机和不确定性的时刻，中央高层的一些重要人物团结起来，策划了一项绝密行动，成功粉碎了“四人帮”的阴谋，稳定了国家局势。让我们通过这个节目，一同回顾这段被遗忘的历史。

Featuring: Mo Zhong, Want Wen Guang, the Shanghai Symphony Orchestra, Maoist dance troupes, Taoist temple music and tea-dance tango bands. 　　Description: In the early 1980's, China was just emerging from the repressive Cultural Revolution which very nearly stamped out much Chinese classical and folk music - three thousand year-old traditions. Cautiously, musicians, singers, composers and conductors were re-emerging, returning from exile and beginning to revive some of the suppressed music, all under the vigilant gaze of suspicious government officials. 　　Into this moment of regeneration came director Jeremy Marre on a quest to capture the true musical traditions of China. Constantly battling to avoid the dull 'official' musical ensembles he traveled to Shanghai, Beijing, and the Islamic, far northwestern region of Xinjian. 　　In Beijing, he was able to film Want Wen Guang, one of less than 100 Chinese who can still play the gu-qin, an ancient zither-like instrument, in a stirring, passionate performance. Later he encounters Mo Zhong, a Taoist priest, and temple drummer whose hands were broken during the Cultural Revolution in order to keep him from playing, as well as a young master of the pipa, a traditional lute, who managed to perform brilliantly despite conditions which keep him from practicing. 　　In the Islamic northwest, a very different China is encountered, a China where music and dance still flowers freely, as captured here in a wild wedding celebration. 'Cotton Mill Shanghai Blues' is a thought-provoking documentary of a dormant, ancient musical culture finally re-emerging. In addition to the performances noted above, this episode from the Beats of the Heart series also features acrobats and puppeteers, female ballad singers, Shanghai traditional opera and tea house music.

Scared of life and lacking the courage to be himself, Ludovico lives hidden away in his grandmother's old apartment. One night, the wickedness of the world goes to visit him in the form of Jack, a boy who is Ludovico's age but has the opposite character: hard, determined, perhaps criminal. The forced cohabitation of two human beings who couldn't seem more different from one another turns into an initiation rite to adulthood, the discovery of their true and respective personalities. And when the harsh reality that is mercilessly stalking them appears to present the bill, they will have to face it, bolstered by a new awareness and unhoped-for courage.

一名白人至上主义者时隔多年首次回到家乡，试图挽救父母的婚姻关系。

安哲罗普洛斯《希腊现代史三部曲》之一，使得他在国际影坛渐露头角。故事以1936年梅塔萨克将军在希腊开始实行专制独裁为背景，描写一个政治犯劫持来探访的议员，并以他作为人质来要挟政府。政府为了除掉这个麻烦，用尽各种手段，最后用狙击手把他击毙。 　　安哲用长镜头和360度摇移运动镜头的写实风格烘托渲染了当时令人窒息的社会氛围。讲述了一个关于政治压迫的寓言。有犯罪悬疑片成分的剧情把矛头指向迈塔克萨斯将军为总理的专制政权实行的严密控制人民思想的社会制度。

60年代，妮可因为和地下丝绒乐队合作，并在安迪·沃霍尔的提携下走红。后来妮可为了证明自己，开始了她的独立创作生涯。在影片中，妮可独立创作了近20年后，人们仍然只记得她当时和地下丝绒乐队的关系，她为此感到十分苦闷，决心要改变人们对她的印象。

取材自新文化運動先驅李叔同的年輕事跡。滿清末年國力衰弱，遭列強宰割。1905年，日本與俄羅斯兩大強權為爭中國領土，在東北戰場開打，知識份子忿忿不平。同年，熱衷文藝的上海富家公子厭倦紛擾，赴東京留學，欲尋淨土潛心精進藝術。他學畫、習樂、演新劇，並與日本女子相戀，異鄉成了溫柔鄉。然而，憤青好友力勸其加入革命黨，時局壓力亦步步迫近。亂世當前，誰能置身事外？